The Doors L.A. Woman (180GV)

4.5 stars out of 5 -- "[I]t's a surprisingly focused set, in part a return to the Doors' blues-rock roots. Morrison's hot baritone killed, Robby Krieger's guitar is laser-guided..."
"...In terms of what they're after here the Doors as a band never falter and there isn't one bummer cut on the entire album--obviously a first for them..."
3 stars out of 5 - "...The Doors going back to their biker bar band roots....with a title track that inadvertently invented Billy Idol..."
5 stars out of 5 -- "A rootsy album cut in The Workshop, The Doors' Los Angeles rehearsal space, LA WOMAN is at times a raw and bluesy affair..."
3.5 stars out of 5 -- "Morrison stars with his raw-angered vocals. Covers of John Lee Hooker and Willie Dixon complement the hits..."
"[T]hey reconnected with their bluesy roots to create their finest album since their 1967 self-titled debut..."
Ranked #41 in NME's list of The Greatest Albums Of The '70s.
Paste (magazine) - "These rough attempts at the material, free of overdubs and added touches like the rain sounds that kick off 'Riders on the Storm,' spotlight the tight-knit creative relationship these gents had -- a connection that was somehow only strengthened by the addition of a bassist and a rhythm guitarist."