Toro y Moi Underneath The Pine

3 stars out of 5 -- "The results are groovier and prettier, touching on baroque pop, slinky disco and psych rock."
"David Axelrod's plush grooves, Ennio Morricone's CinemaScope expanses, Brian Wilson's tragic kingdom: UNDERNEATH THE PINE has deep roots."
4 stars out of 5 -- "[A] bushy-tailed brand of junior psych rock, in thrall to The Zombies, David Axelrod and Shuggie Otis."
"Opener 'Intro/Chi Chi' features shoegaze guitar over a nimble, sinewy bassline and rippling hand percussion....UNDERNEATH THE PINE burns brightly..."
"Bundick traverses quite a few genres -- from his trademark chillwave, to acoustic dream-pop and severe piano-led ballads. All of this is backed by his under-appreciated vocals..."
Billboard (p.40) - "UNDERNEATH THE PINE is at its best on songs like 'Got Blinded,' 'Still Sound' and 'Divina,' with solid grooves and discernable melodies that leap out from the kaleidoscopic bramble."
4 stars out of 5 -- "At once retro and of-the-moment, 'New Beat' pivots on a sunny funky loop...'Got Blinded' blurs '60s psychedelia..."
Paste (magazine) - "UNDERNEATH THE PINE is a great example of bedroom-pop's possibility, transcending its chintzy origins and embracing a more solid craft. Toro Y Moi is overachieving, everyone else is catching up."