A. Schoenberg Verklarte Nacht / Gluckliche Han
9
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A. Schoenberg: Schoenberg: Choral Music
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CD Details
- Released: July 13, 1993
- Originally Released: 1993
- Label: Sony Masterworks
Tracks:
- 1.Die glucklich Hand, Op. 18: Scene I
- 2.Die glucklich Hand, Op. 18: Scene Ii
- 3.Die glucklich Hand, Op. 18: Scene Iii: Kraftig bewegt
- 4.Die glucklich Hand, Op. 18: Scene Iii: Viel rascher. Allegro
- 5.Die glucklich Hand, Op. 18: Scene Iii: Massig bewegt
- 6.Die glucklich Hand, Op. 18: Scene Iv
- 7.Variations For Orchestra, Op. 31: Introduktion. Massig, ruhig
- 8.Variations For Orchestra, Op. 31: Thema. Molto moderato
- 9.Variations For Orchestra, Op. 31: Variation I. Moderato
- 10.Variations For Orchestra, Op. 31: Variation Ii. Langsam
- 11.Variations For Orchestra, Op. 31: Variation Iii. Massig
- 12.Variations For Orchestra, Op. 31: Variation Iv. Walzertempo
- 13.Variations For Orchestra, Op. 31: Variation V. Bewegt
- 14.Variations For Orchestra, Op. 31: Variation Vi. Andante
- 15.Variations For Orchestra, Op. 31: Variation Vii. Langsam
- 16.Variations For Orchestra, Op. 31: Variation Viii. Sehr rasch
- 17.Variations For Orchestra, Op. 31: Variatino Ix. L'istesso tempo, aber etwas langsamer
- 18.Variations For Orchestra, Op. 31: Finale. Massig schnell
- 19.Verklarte Nacht, Op. 4: Grave
- 20.Verklarte Nacht, Op. 4: Molto rallentando
- 21.Verklarte Nacht, Op. 4: Pesante
- 22.Verklarte Nacht, Op. 4: Adagio
- 23.Verklarte Nacht, Op. 4: Adagio
Product Description:
This is one of the best discs in this series. The expressionist drama Die Gluckliche Hand is one of Schoenberg's most experimental works, and though the Freudian expressionism is dated, the music is surprisingly enjoyable. The opening minutes create one of Schoenberg's most evocative atmospheres, a musical jungle, with soft drums beating eerily, a forest of instrumental melodies, and voices chanting. Siegmund Nimsgern is a solid bass. Pierre Boulez has remarked that the Variations for Orchestra is essentially a didactic exercise in serial variations, but the work still has much to offer, the abstract musical material is developed in every conceivable expressive way. Finally, the orchestral arrangement of Transfigured Night--a Straussian tone poem in black and white--is given an unexpectedly emotional reading by Boulez at the helm of the New York Philharmonic. --Joshua Cody