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The Ring
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The Ring
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The Ring
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The Ring (Blu-ray)
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DVD Details
- Rated: PG-13
- Closed captioning available
- Run Time: 1 hours, 55 minutes
- Video: Color
- Encoding: Region 1 (USA & Canada)
- Released: March 4, 2003
- Originally Released: 2002
- Label: Dreamworks Video
Performers, Cast and Crew:
Starring | Naomi Watts & Martin Henderson | |
Performer: | David Dorfman, Brian Cox, Daveigh Chase, Lindsay Frost, Amber Tamblyn, Rachael Bella & Shannon Cochran | |
Directed by | Gore Verbinski | |
Screenwriting by | Ehren Kruger | |
Composition by | Hans Zimmer | |
Produced by | Walter F. Parkes & Laurie MacDonald | |
Director of Photography: | Bojan Bazelli | |
Executive Production by | Michael Macari, Jr. & Michele Weisler |
Entertainment Reviews:
...Smart, savvy and distinct....There's a troubling atmosphere that clogs up your throat...
Total Film
The filmmakers have wisely stayed close to the original's mood, which is somber and flat, with quick (near-subliminal) inserts and a soundtrack full of watery-grave groans and murmurs.
Full Review
Slate
The Ring, about a videotape that kills people, is so full of inconsistencies and plot holes that I stumbled from a recent screening with few answers, and a ton of questions.
Associated Press
Rating: 2.5/4 --
The Ring doesn't have the wiliness or conviction to exploit either a single mother's guilt over child neglect or our collective queasiness over potential bad seeds. It merely alternates these themes and toys with them.
Full Review
Baltimore Sun
A horrifically terrifying film-going experience - to be sure. A horrifically terrifying film? No way.
Full Review
Behind The Lens
Rating: 1.5/4 --
I hated it, but I grant that it does tap into a vein of technological horror -- the fear of the VCR! -- that will have young videophiles chatting it up for weeks.
Full Review
New York Daily News
Rating: C+ --
This remake of a hugely successful Japanese horror film is very well acted by Naomi Watts. It's just not that scary.
Full Review
Good Morning America
Product Description:
In Gore Verbinski's remake of Hideo Nakata's chilling horror film, a group of teenagers all die suddenly and inexplicably exactly one week after watching a mysterious videotape at a remote cabin in the Pacific Northwest. Journalist Rachel Keller (Naomi Watts), a relative of one of the victims, begins an investigation that leads to a mountain resort where she discovers the tape, which contains footage of random and surreal images. After viewing the tape, Rachel receives a phone call stating that she, too, has seven days left to live. As the clock ticks away, Rachel enlists the help of her former boyfriend, Noah (Martin Henderson), who is the father of her startlingly serious young son, Aidan (David Dorfman). Assisted by the intuitive illustrations of Aidan and the initially reluctant research of Noah, Rachel attempts to discover the significance of the cryptic tape before her time is up.
The original RING, based on a novel by Kôji Suzuki, was a cult phenomenon in Japan, spawning a sequel, a prequel, and other spin-offs. Although Verbinski's adaptation shares much in common with its Japanese counterpart, the director distinctly alters numerous plot elements and, in grandiose Hollywood style, employs a much larger budget. The beautiful cinematography is one of the more telling enhancements, along with added screen time for other characters, including the morose Richard Morgan (Brian Cox). However, the key to this RING is Watts, who shines through the creepy atmosphere in a role that follows her success in MULHOLLAND DRIVE. This would appear to be no coincidence, since the film comes across like a David Lynch version of an X-FILES episode that presents shockingly scary moments and makes the most out of the unknown. A clear cut above most contemporary horror films, THE RING offers genuine chills and will make viewers think twice before watching any unmarked videotapes.
The original RING, based on a novel by Kôji Suzuki, was a cult phenomenon in Japan, spawning a sequel, a prequel, and other spin-offs. Although Verbinski's adaptation shares much in common with its Japanese counterpart, the director distinctly alters numerous plot elements and, in grandiose Hollywood style, employs a much larger budget. The beautiful cinematography is one of the more telling enhancements, along with added screen time for other characters, including the morose Richard Morgan (Brian Cox). However, the key to this RING is Watts, who shines through the creepy atmosphere in a role that follows her success in MULHOLLAND DRIVE. This would appear to be no coincidence, since the film comes across like a David Lynch version of an X-FILES episode that presents shockingly scary moments and makes the most out of the unknown. A clear cut above most contemporary horror films, THE RING offers genuine chills and will make viewers think twice before watching any unmarked videotapes.
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